Presse

17. 04. 2016

The Arts desk (David Kettle)

Vavic, SCO, Bloch, Queen's Hall, Edinburgh

[…] Serbian pianist Anika Vavic was the rather steely soloist in Shostakovich’s Second Piano Concerto for a performance that was as fiery and intense as that score might suggest. Brittle, too, at times, occasionally hard-edged, especially in an assertive first movement – but enjoyably so.

Despite all the high spirits and fizzing humour, though, there was always an edge of menace to Vavic's vision of the Concerto that never let us forget it utilitarian Soviet origins - even if she gave way nicely to indulgence in a lush slow movement, whose luxurience she matched in the exquisite, restless Scriabin prelude she offered as an encore, seemingly made up on the spot.

[original article]

Latest News

31. 10. 2017

Türingen Allgemeine (Ursula Mielke)

Fülle von Klangfarben bei zwei Erstaufführungen der Staatskapelle Weimar

28. 10. 2017

Ostthüringer Zeitung (Christiane Weber)

„Schtschedrins Klavierkonzert verlangt dem Interpreten alles ab“

02. 02. 2017

DANAS (Zorica Kojić)

Ein triumphaler Ideenschatz

01. 02. 2017

Serbischer Rundfunk / Tanjug ()

Mariinsky-Theater entzückt Belgrader Publikum

05. 12. 2016

Schwäbische Zeitung (Katharina von Glasenapp)

Melancholie und Virtuosität

hitcounter