Washington Post,
16 March 2002, Cecelia Porter
Austria's Anika Vavic,
A Young Pianist of Note
From the opening of her American debut Thursday at the Austrian
Embassy, the young pianist Anika Vavic made evident her keen perception
of the more elusive subtleties of music. Besides Haydn's Sonata
in D, Hob. XVI/19, Vavic's recital included Prokofiev's Sonata No.
6, Op. 82; Alexander Scriabin's Waltz, Op. 38, and his Four Morceaux,
Op. 51; and a waltz by the Taiwanese composer Shih, a Vienna resident
since 1974.
Vavic has already gathered many prizes, most recently the Austrian
National Award for Women in the Arts.
Vavic overlaid the sonata's majestic Andante with ruminative delicacy
and illuminated every movement with articulation as discreet as
fine oratory. Scriabin's Waltz submerges Chopinesque lyricism in
washes of impressionist harmonies, forging a mystical ambiguity
Vavic underlined with meticulous tempo inflections. In Shih's piece
she responded sensitively to the music's waves of shifting textures,
now coalescing, now receding like ever-modulating atmospheric densities.
None of Prokofiev's unyielding percussive onslaughts was lost on
the pianist.
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